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Lessons from ACTA and the future

 

 

 

 

Today in Strasbourg a massive majority of the European Parliament voted to reject ACTA

It is the first time the European Parliament has rejected an international treaty already signed by the European Commission (and by 22 of 27 EU member states). The power of the EU´s legislative branch has been clearly reinforced.  This time the Parliament has not been the usual a rubber-stamp for questionable EU trade proposals. Of even greater importance, European civil society has emerged as a very powerful actor that can no longer be dispatched by EU institutions with the traditional “participate a little, then we´ll decide with our industry buddies.”

 

Business as usual” has been disrupted by the ACTA affair for many reasons.

 

  1. Transparency: the fight for transparency was a pivotal way of exposing EU officials who consistently hid documents, negotiated behind closed doors and gave preferential access to inside information to large industries. The eroding effect of leaked documents, tweeted closed-door meetings and widely spread rumours was devastating on the credibility of EU negotiators.

  2. International civil society synergy: There has been an impressive and very fruitful collaboration between the academic world and the advocacy network to lay the intellectual and social infrastructure groundwork for a massive anti-ACTA response. Especially positive has been the common work on monitoring the negotiating strategies and contradictions of USTR and DG Trade proposals, both technically and politically. This transatlantic commonality of interest came to a head after the defeat in the US of SOPA and PIPA which had a contagious effect on European civil society. When the European Parliament finally started to decide on ACTA there was already a wealth of serious critical analysis, networked supporting organizations and clear substantiated bullet-points to convince all kinds of politicians.

  3. Unity in diversity against ACTA: Civil society work on ACTA has been a unique opportunity to at once contrast and inform upon a broad variety of intimately entwined issues, from health to trade, from internet governance to copyright reform. It brought together global South activists worried about ACTA´s institutional arrangements that attempted to bypass existing inclusive UN bodies in order to set a negative benchmark for bilateral free trade agreements with regards to fair access to knowledge and technology transfer.

  4. Europe from the bottom up, from the East: At a time of great European crisis and very low confidence in the European project, EU civil society has given a brilliant example on how to organize a positive European identity across borders,using social networks, in defence of the European values of democracy, open culture and global justice. Polish activists were specially brilliant in mobilizing tens of thousands in the streets against ACTA, clearly changing the tide of the whole relation of forces that had been quite favorable to ACTA until that time.

  5. A divided business community:Of significant importance was the opposition to ACTA of important parts of the business community, especially vocal in the case of Internet service providers and more discreetly on the part of the broader IT industry. ACTA has sparked a broader debate about business models that flourish with a more flexible application of intellectual property rules.

  6. The Internet community defended its space. Milllons of internauts became socially conscious and in some cases “indignados”. The ACTA fight reflected that most people want a decentralized, neutral, open and uncensured Internet. When they felt this was threatened by ACTA, they rebelled.

 

 

 

New fronts:

 

  1. Intellectual property reform or counter-reform: A series of legislations are coming up in the EU concerning copyright: a new version of IPRED (Intellectual Property Rights Enforcement Directive), Collective management of copyright directive, Public Sector Information Directive, data protection directive and possibly a proposal on on-line commerce of audio-visual works and Unitary Patent Directive. On the reform side, there is still a big fight to be won on the Treaty for the Visually Impaired and other print disabled persons at the World Intellectual Property Organization. As well, there are other proposals to establish harmonized exceptions and limitations to copyright in the area of libraries, among others.

  2. Open access to scientific research publications and results. There is an “academic spring” going on across Europe in which thousands of scientists are demanding “open access” to scientific articles published from publicly funded research. Another important issue is open access to biomedical research data to prevent the present system that conceals secondary effects and the real efficacy of new medicines.

  3. New Innovation models are on the agenda.  One example is at the World Health Organization where many countries from the South have proposed a Global Research and Development Treaty to provide accessible and affordable medicines to the most of the world´s population through new forms of IPR reform, prize schemes and patent pooling. The EU´s Horizon 2020 research and innovation program (80 billion euros) now being considered in the EP has proposed a number of new licensing schemes for exploiting results, open access to data and innovation inducement prizes. The coming discussion of collective management of copyright in the EP could  also consider a number of innovative proposals on music and film on-line.

  4. Other Internet issues that are being discused in the EU are open standards in IT, net neutrality and interoperability.  They all need political pressure and public involvement.

 

 


 

 

Hoy ACTA ha recibido tres golpes mortales. Hoy tres comités de la Eurocámara han votado en contra del ACTA, de Industria, de Libertades y de Asuntos Jurídicos.  El 20 de junio el Comité de Comercio Internacional decidirá su recomendación sobe ACTA y, finalmente, en la sesión plenaria de Estrasburgo del 4 de julio habrá una votación definitiva.

 

Cultura e internet pájaro pared

 
¿Qué significa este resultado?

 

Es el principio del fin de ACTA. Es un gran éxito de la sociedad civil europea. Sobretodo ha sido gracias a una masiva organización espontánea de jóvenes en las redes sociales, desde Polonia hasta España, quienes no aceptaban de ninguna manera las oscuras maniobras  para "domesticar" la web con medidas extra-judiciales draconianas y convertir a los proveedores de internet en policías. Al rechazar ACTA, los tres comités del Parlamento Europeo han mandado un mensaje claro en defensa de los derechos digitales y de unas leyes de propiedad intelectual justas. La Comisión Europea y el Gobierno Español deben tomar nota de este resultado al intentar legislar futuras medidas represivas contra el compartir información y cultura en Internet.
 
¿Hasta qué punto esta votación puede ser un termómetro para la votación de Julio?

 

  Es un indicador muy claro de que ACTA morirá el 4 o 5 de julio en Estrasburgo.
 
¿Quién respalda el ACTA en la Eurocámara?  

     ACTA solo conserva el respaldo de los Eurodiputados más relacionados con los lobbys de las sociedades de autores, la industria de Hollywood y las grandes productoras de música. Al agrietarse el apoyo a ACTA por parte de los conservadores en los países del Este, comenzando en Polonia por una gran rebelión social, ACTA no tenía posibilidad de prosperar.



Nunca había visto tal nivel de unidad política para machacar a un Comisario Europeo como anoche en el Parlamento Europeo cuando el jefe del Mercado Interno Michel Barnier recibió una verdadera paliza dialéctica por no haber apoyado un Tratado vinculante eficaz para las personas con discapacidad visual. Hoy se aprobó en el Parlamento Europeo una resolución fuerte a favor del Tratado y muy crítico con el papel de la Unión Europea en la OMPI. http://www.europarl.europa.eu/sides/getDoc.do?type=MOTION&reference=B7-2012-0062&language=ES


A continuación algunas de las expresiones utilizadas por los eurodiputados al criticar al comisario Barnier:  "Falta de sensibilidad", "un doble rasero de medir", "Estamos muy irritados con usted", "Su posición es muy decepcionante", "La UE practica el obstruccionismo en la OMPI", "La UE bloquea pasos hacia adelante", "El Tratado no es caridad, es una cuestión de derecho", "Es una locura que los formatos digitales no posibilitan un acceso masivo a la lectura", "Usted solo habla bla, bla, bla..",  "Para cuestiones económicas hay reglas vinculantes pero para derechos de las personas ciegas solo recomendaciones voluntarias", "No utilices a los creadores como una barrera", "No comprendo la rigidez de la Comisión en este tema" y "los derechos de autor son una gran barrera para el acceso a la lectura".


Sin una escapatoria política fácil, totalmente acorralado y bajo una gran presión, el Comisario Barnier primero inútilmente intentaba escabullirse con unas vagas promesas de "diálogo abierto con la sociedad civil", "dejar todas las opciones abiertas" y "queremos una solución pragmática".  Finalmente Barnier se vio obligado a asumir el compromiso público de pedir un mandato a la Comisión y al Consejo (los estados miembros de la UE) para negociar un Tratado vinculante y eficaz en la OMPI. Afirmó que no seria fácil ya que algunos estados se oponían al Tratado. Pidió apoyo al Parlamento para conseguirlo.
Por fin,  el brazo ejecutivo de la Unión Europea apoya un Tratado para las personas con discapacidad visual. Si, una excepción legal al derecho de autor.



ACTA busca meter en cintura al Internet,  la libre circulación de cultura, conocimiento e ideas.

ACTA quiere convertir en policías privados a los servidores de Internet para que controlen la información y cultura que compartimos. No hará falta órdenes judiciales para que estos actores privados actúen.

ACTA propone una nueva arquitectura de gobernanza mundial de la propiedad intelectual al margen de las instituciones de la ONU y de espaldas a la sociedad civil y  los parlamentos democráticos.

ACTA promueve sanciones criminales y multas astronómicas ("a valor de mercado" para cualquier violación de los derechos de autor que "aporte una ventaja económica o comercial, sea de forma directa o indirecta". O sea, cabe en esta categoría millones de personas que comparten sin lucrares ficheros, sueños y ritmos.

ACTA proyecta controles fronterizos draconianos con "la cooperación" de la industria y al margen de la iniciativa judicial.

ACTA: privatización del saber, control policial extra-judicial y el proteccionismo de modelos de comercio anacrónicos.

El Parlamento Europeo tiene que decidir en los próximos meses. La ciudadanía activa tiene la palabra para defender los derechos fundamentales y el acceso al conocimiento.

News from the copyright bunker

 

 

European Commission and the right to read:

If you can´t beat them, join them and try to spoil it

 

Last week in Geneva at WIPO the EU was dragged kicking and screaming into a concrete textual debate on the creation of a legal international instrument for the Visually Impaired for an exception and limitation on copyright. Under heavy pressure and criticism from the European Parliament and the European Blind Union, the European Commission, represented by French Internal Market Commissioner Michel Barnier, has been forced to abandon its previous outright rejection of a legally binding treaty and now has launched a new strategy. The EU, represented by the Commission has now made a series of obstructive and destructive amendments to the working text of the World Intellectual Property Organization with the double objective of undermining the whole purpose of a Treaty and provoking an endless debate in order to filibuster any practical solution for millions of print-disabled persons. The European Blind Union and the World Blind Union strongly reject most of the EU´s significant amendments for going against the needs of millions of print-disabled persons.

 

Considering that the whole point of the Treaty for the Visually Impaired is to establish an “exception and limitation on copyright” for certain uses and taking into account that the very title of this area of negotiations at WIPO are called “Exceptions and Limitations”, it is pretty startling that one of the first EU “de-constructive” amendments proposes to suppress entirely from the text “copyright exceptions and limitations” and to substitute it with “appropriate measures”! Also in this uncooperative sense the EU also proposes to eliminate from the text “ to provide the necessary flexibilities… to open the door to licensing alternatives.”.

 

When it comes to defining the “trusted entities” that would be responsible for distributing reading material to the print disabled, the EU propose to radically narrow the scope to only organizations whose “primary mission” is serving the print-disabled. This would eliminate public libraries, schools and universities, as well as severely limiting access to books in poor countries of the South where there a very few or no strong organizations whose “primary mission” is to serve the visually impaired.

 

The EU especially fails when it comes to social sensitivity to blind persons of the South. The EU proposes to define a “reasonable price for developing countries” as “the accessible format copy of the work is available at a similar or lower price that the price of the work available to persons without print disabilities in that market,..” Considering that an “E-book” could cost between 15 and 25 Euro, this EU proposal will not be of much use for the disabled persons of Guatemala or South Africa.

 

The EU also attemps to sink the copyright exception flagship with this proposed torpedo: eliminating the phrase “ without the authorization of the rightholders”. Obviously, if blind persons NGOs´ must negotiate permission book by book with rightsholders there is really no point of having an international legal instrument at all.

 

Where the EU reveals its shocking ignorance of what kind of formats disabled persons need is when it proposes an ammendment that establishes that no exception to copyright will apply if their is “a work commercially available”. The EU ignores the fact that many commercially available audio works are either not technically accessible, are not formatted to be useful for academic study, are not available at public libraries or are simply not affordable to most visually impaired persons. The EU suggests that the Spanish blind persons organization ONCE cannot share its formatted works with blind persons of Paraguay if those works are in some way or form “commercially available” even if the practicality of that “availability” is useless.

 

Other EU amendments (see below with comments by World Blind Union) all go in the same direction of blocking and spoiling any meaningful progress toward the real-life access to reading material on the part of the print-disabled.

 

Why is the EU taking this obtuse position? Why is the European Commission ignoring the will of the European Parliament? Why is the EU making unrealistic, draconian demands on an international legal instrument when the copyright exceptions already existing in most EU members states are far more flexible and simple?

 

The answer is clear: the EU has assumed the fundamentalist and ideological positions of the copyright lobby that refuses to come out of its deep bunker for a fair and pragmatic solution that facilitates the right to read of visually impaired persons around the world.

 

 

 

 

 

TREATY FOR THE VISUALLY IMPAIRED (EU AMENDMENTS)

Comments by World Blind Union (WBU) in brackets

0.13. In the thirteenth paragraph, “copyright exceptions and limitations” should be replaced by “appropriate measures” (European Union).

[NO- this instrument deals specifically with E&L. Other measures should be dealt with in the appropriate places]

0.17. The seventeenth paragraph should read “Taking into account the importance of increasing the number and range of accessible format works available to visually impaired persons/persons with print disabilities in the world, and to ensure full and equal access to information and communication for persons who are visually impaired or have a print disability in order to support their full and effective participation in society on an equal basis with others, and to ensure the opportunity to develop and utilize their creative, artistic and intellectual potential, for their own benefit and for the enrichment of society,” (European Union).

[Eliminates language on “to provide the necessary minimum flexibilities.... , so as to open to door to licensing alternatives.” This is not appropriate in a law providing exceptions.]

……………………………….

LEGAL TEXT:

A.09 As to the definition of “authorized entity”, first paragraph, the phrase “activities” should be replaced by “primary missions” (European Union, United States of America).

[NO to “primary” – would exclude many schools, universities and other bona fide organisations for whom accessible format provision is vital work but not a “primary” part of what they do]

A.12 As to the definition of “authorized entity”, the second paragraph should read “an authorized entity maintains rules and procedures to establish the bona fide nature of persons with print disabilities that they serve.” (European Union).

[The authorized entity should decide what rules and procedures it uses to establish the bona fide nature of persons with print disabilities.]

A.16 As to the definition of “authorized entity”, the third paragraph should have and additional sentence that reads “Member States/Contracting parties should encourage rightholders and beneficiary persons to cooperate and participate in authorized entities.” (European Union).

[NO! This is not a definition- why would it sit here?] ……………………………….COMMENTS ON ART. A OF LEGAL TEXT

A.21 The definition of “reasonable price for developing countries” should be replaced by “means that the accessible format copy of the work is available at a similar or lower price than the price of the work available to persons without print disabilities in that market, taking into account the needs and income disparities of persons who have limited vision and those with print disabilities in that market.” (European Union).

[No, it should be affordable in developing countries.] A.22 Further discussions and debates are essential on the complex issue of “reasonable price” as

it is not mature (European Union). • [Each Member State should have the flexibility to determine what is reasonable price

in that Member State.] A.23 The definition of “copyright” should be further discussed (European Union).

[Asper22] COMMENTS ON ART. C OF LEGAL TEXT:

C.04 The phrase in Paragraph (1) “to facilitate the availability of works in accessible formats” significantly broadens the aim of the instrument and has broad implications. It should be preceded by the phrase “or any other equally effective measure” (European Union).

[No- the instrument is specifically intended to facilitate the availability of works in accessible formats. That’s what this is all about.]

C.06 Paragraph (2)(a) should read “Authorized entities shall be permitted to make an accessible format copy of a work, obtain from another authorized entity a work in accessible format, and supply such a copy to a beneficiary person by any means, including by non-commercial lending or by electronic communication by wire or wireless means, and undertake any intermediate steps to achieve those objectives, when all of the following conditions are met:” (European Union).

[NO. This adds RH authorization into an instrument we need for cases where we have been unable to get help from RH. Getting rid of the “without the authorization of the RH” contradicts the essence of an exception, that permission is not needed! The words “without seeking/asking for the authorization of the RH” could be used as the other option might seem to imply an “unauthorized distribution”.]

C.08 In Paragraph (3), delete reference to three-step test “that is limited to certain special cases which do not conflict with a normal exploitation of the work and do not unreasonably prejudice the legitimate interests of the right holder.” A separate Article Ebis is proposed in this connection (European Union).

[The EU proposal for Ebis appears unhelpful, in our opinion, and would need some work. We believe it should say, that the provisions of the treaty are without prejudice

to other flexibilities countries have in the Berne, the WCT or the TRIPS, all of which are important, and including such things as the first sale doctrine]

C.10 Paragraph (4) should read “the Member State/Contracting Party shall limit the exceptions or limitations provided for in this article to published works which, in an applicable special format, cannot be otherwise obtained within a reasonable time and at a reasonable price” (European Union).

The word “otherwise” should be retained in this paragraph (Brazil, United States of America). Exceptions should not depend on the existence of commercially available works, as in this case the question is defending a fundamental human right (Ecuador).

[This is very important to WBU. Any restriction saying that the exception should not apply when the work is commercially available must be on the strict proviso that the book is available at the same time and price, in the format needed by the individual requesting it. A commercial audio book can't be used by a deaf blind person, and a commercially available large print book can't be used by a blind person. Then, if the commercially available audio book or large print book is not affordable or available from a library, it is not available to the individual either.]

COMMENTS ON ART. D OF LEGAL TEXT:

D.05 In Paragraph (2)(a), delete “without the authorization of the rightholder”

(European Union). • [ Totally unacceptable to WBU]

D.06 In Paragraph (2)(b), delete “without the authorization of the rightholder”

(European Union). • [Totally unacceptable to WBU]

D.09 In Paragraph (3), delete reference to three-step test “that is limited to certain special cases which do not conflict with a normal exploitation of the work and do not unreasonably prejudice the legitimate interests of the right holder.” A separate Article Ebis is proposed in this connection (European Union).

[As stated above, we believe that the draft Ebis is problematic]

D.11 It is proposed to add a new paragraph 3bis that reads “The Member State/Contracting Party should/shall limit the exceptions or limitations provided for in this article to published works which, in an applicable special format, cannot be otherwise obtained within a reasonable time and at a reasonable price in the country of importation.” (European Union).

[“Should/shall” to be replaced with “may”. Member States should have the flexibility to decide this, especially developing countries. Special” needs to be changed to “accessible”.]

COMMENTS ON ART. E OF LEGAL TEXT:

E.02 Delete the phrase “without the copyright rights holder’s authorization.” (European Union, United States of America). Article E should allow Member States to mirror the flexibility of their exception in relation to imports. That phrase could mean, for example, that in other articles where it is not specified, there is no need the right holders’ authorization. This article requires further discussion, in particular regarding the notion of importation in relation to copyright (European Union).

[WBU strongly against deletion suggested by EU. This is a text for a future law on copyright exceptions; not a licensing scheme]

 

 

Broad access to our cultural legacy or “better dead than read”: A new EU Directive that is now being discussed in the European Parliament will decide whether to rescue millions of forgotten “orphan works that constitute an important part of our historic heritage. 

 

It´s hard to imagine that some people would snugly sit back while a big part of our unaccessible historic heritage is lost or, even worse, actively fight against the only viable means of protecting it: digital archiving.

 

During the 1950´s some  fervent coldwarriors insisted that it was much better to be “dead than red”. Today, on a very different level, a similar philosophy is being put forward by copyright fundamentalists, a few EU member states like France and by some lobbyist-cum-civil servants at the European Commission, in particular at the Directorate General of Internal Market headed by Michel Barnier. They would prefer that millions of books, songs, films, illustrations and photographs were dead, lost for ever, than risk any serious flexibilization or exception to EU copyright laws that would facilitate mass digitization and, thus, social access to “orphan works”, out of circulation works whose authors are unknown or not found.

 

These hard-liners expound the deeply flawed strategy of “cultural scarcity”: the fewer works accessible to the public, the better for the the “cultural industry” . Instead of massively liberating these forgotten works for the sake of knowledge and innovation, these peculiar “defenders of culture” would prefer to apply “passive euthanasia” by just letting the paper flake, the celluloid disintegrate and the sound recordings fade. Instead of legally allowing mass digitization through easy author search mechanisms, balanced public-private partnerships and clear limits on possible claims and renumeration, the copyright lobby and their political mouthpieces are erecting tall barricades against the advance of any rational mass recuperation of orphan works.

 

The battle lines are drawn in the European Parliament that shall be making some very clear choices over the next few weeks. On one side stands the broad public interest of libraries, consumers, researchers, educators and new innovative cultural businesses. On the other side the negative agenda of “the worse, the better ” coalition of traditional rights holders, some collecting societies and a few self-assigned ideologues of ” the moral rights of artists”.

 

It is more urgent than ever that the point of view of broad public interest be heard loud and clear in Brussels. Hundreds of amendments have been tabled and will be considered next week by the Rapportuer De Geringer in the European Parliament´s Judicial Committee.

 

Below is a summary of some of the clear options that MEPs shall decide on in the coming weeks (more information on the concrete amendments is forthcoming):

 

 

1. Liberating millions of orphan works for mass digitization or just individual access to concrete works.

 

2. Quick and easy “diligent search” or expensive, tortuous and long search of works fractioned by different authors, illustrators or designers.

 

3. Wide orphan works access to audio, photographs, journalism and film or a narrow scope limited to books.

 

4. Clear limits and thresholds to liability for fair renumeration or open-ended, expensive legal battles that inhibit use of orphan works. “fair” and “related to use”

 

5. EU Legislation based on existing frameworks for exceptions and limitations to copyright or a new restrictive, regressive interpretation of the legal scope of EU copyright law.

 

6. Opening up the potential of public-private partnerships for mass digitization of orphan works with legal flexibility or a rigid moulding of legislation for sole public funding of orphan works digitization.

 

7. Liberating orphan works for a wide range of uses for cultural access, innovation and artistic creation or narrowly defining the uses of orphan works only for “public service” and cultural heritage institutions.

 

The voice of public interest and access to knowledge must be heard!

 

David Hammerstein, TACD

ORAL STATEMENT BEFORE WIPO SSCR22 BY DAVID HAMMERSTEIN, TACD  26-6-2011


SHOWDOWN IN GENEVA: COPYRIGHT VS. HUMAN RIGHTS FOR BLIND PERSONS

 

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 Filibusterism and lack of democratic legitimacy against the right to read of the visually impaired


After years of campaigning on the part of blind persons NGOs, consumers and human rights groups, the World Intellectual Property Organization is finally having a special 3 day session on creating an exception to copyright for reading material formatted for millions of visually impaired persons. Will the international community assume its responsibility to satisfy the fundamental right to read for disabled persons?

The fight for access to reading material for the visually impaired is facing an unprecedented attempt at filibustering on the part of the EU and the US. This obstructionism of a legally binding treaty takes many forms: numerous changes in the agenda for an issue over-due for years, endless technical debates and, more importantly, now an attempt to paralyze indefinitely any move towards a legally binding international treaty until "voluntary" and "soft" solutions are tried.
       

As well as practicing filibusterism to avoid considering a legal exception to copyright the EU and it member states have a problem of democratic legitimacy. The EU is ignoring the opinion of its democratically elected representatives, the European Parliament, who voted on May 12th of this year to support  a legally binding Treaty for the Visually Impaired based on the proposal of the World Blind Union.

One has to ask the question: Who exactly do the EU member states represent here? In any open, transparent democratic debate they would have no choice but to support a legal treaty for the visually impaired.  But, instead, despite all the evidence and the majority position of the MEPs, they prefer the lack of transparency, the obscurity of back room deals with content industry lobbyists.This is ethically and morally shameful.

 Today at WIPO the EU representatives and EU member states suffer from lack of  democratic credibility and transparency.

As far as the content of the proposals for a common framework go, why do the EU and the US want to impose incredibly restrictive, expensive and unworkable conditions for cross border exchange of books on the global South when these restricts go light years beyond their own internal laws? Why are the US and EU suggesting tortuous second class treatment for millions of visually impaired persons in the developing countries when domestic EU and US laws are far more flexible and generous? Can it be that  what is good for copyright exceptions at home is not good for the rest of the world? Why do they feel blind organizations should first get the permission of rights holders to distribute works when this is not the case in most countries of the North. If no empirical evidence has been produced to show any economic harm caused by exceptions to copyright in the EU and the US, how can some EU countries possibly speak of "disproportionate harm" in the case a treaty is approved globally?

While the EU and the US still insist on "recommendations" and "stakeholder dialogues", we all know that voluntary arrangements have never worked. While the EU and US push "hard" legal treaties for performers and broadcasters, why do they only promote "soft" law for the visually impaired?
 
At the end of the day this debate is not really about  exceptions, it is about legally permitting the widespread movement  of reading materials across borders just as they flow within most Northern countries. There is very little real danger of increased violation of copyright with a global exception. If someone violates the terms of the exception, they could face prosecution according to laws already on the books in most countries. An exception does not at all mean opening the gates to anarchy, it has not happened inside the countries where exception for the visually impaired are already in place.

     Many countries of the North place all hope for the access of books on a voluntary "stakeholders process" that today is a farce.  The Stakeholder process today is only a one-sided publishers and rights-holders forum because the European Blind Union and the World Blind Union are not participating in it until a global legal norm approved by WIPO.  So the EU´s un-democratic proposal of focussing on the stakeholder processes both inside and outside the EU is not even viable because it is seen by blind persons groups as only a weak excuse used by the EU for not supporting the Treaty.

     The latest form of  filibusterism, or endless procrastination, on the part of the EU and US has taken on the form of   the so-called "2 step process": "first we try a voluntary recommendation for a number of years and, then, if it does not work, we might consider a treaty".  In the process, "we get these bothersome NGOs and blind persons groups off our backs, we push the issue off the WIP agenda for 3 to 5 years and we gain the eternal gratitude of a few publishers in their ideological battle". At the end of the day, this is a fight more about basic principles than concrete economic interest.

 Unfortunately, today is also time to Name and Shame the outright obstructionism of countries like France and Switzerland who are dragging their feet on any pragmatic agreement on a framework text for helping access to books by the visually impaired.   Spain is also calling for a period of over 5 years of testing voluntary schemes before considering a decision on a treaty. (especially surprising given they seem not to want to share their tens of thousands of formatted Spanish books for blind persons with Latin America!).

It is clear that we must choose between strict copyright or human rights. You have that choice.

David Hammerstein, TACD

 

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Cultura e internet pájaro pared

 

 

 

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                               Blind representatives entering the European Parliament on 13-4-2011


“You can vote against us, you can try to defeat us. Go ahead and oppose a legally binding treaty for our right to read. But, remember, we shall not accept anything less than a new international legal norm.” clearly stated  Rodolfo Cattani,  leader of Italian Blind Union and secretary general of the European Disability Forum in response to  the disturbing European Commission and EU member state opposition to the WIPO Treaty for the Visually Impaired.  As another NGO representative added: “The technology exists for blind persons to access most books; it seems the political will does not.” The Commission and many European Governments, while paying lip service to the “book famine” suffered by blind persons, simply reflect the result of years of heavy industry lobbying against any international exception to copyright, even if it would have negligible or no economic impact on the publishing trade.

Over a hundred people participated in the conference “Fair Access to Culture and the Right to Read of Visually Impaired Persons” sponsored by MEPs Luigi Berlinguer, Eva Lichtenberger and Francisco Sosa Wagner from Italy, Austria and Spain, respectively. The organization of the conference was supported by the European Blind Union and the TransAtlantic Consumer Dialogue.  Approximately half of the participants were members of visually impaired organizations who travelled to Brussels from Italy, Germany, UK, Spain, Belgium and France. Also attending this event were European publishers and authors organizations,  internet server provider representatives, digital rights NGOs, consumer organizations, dyslexic  groups and associations of librarians. A number of other Members of the European Parliament, such as Patricica Toia, Christian Engstrom, Malika Ben Arab and Helga Truppel, also participated.

It has become evident that in any open debate the moral and legal logic of the Treaty for the Visually Impaired will prevail and convince.  The problem resides in the opaque, dishonest European Union  decision making process for common positions at UN institutions like the World Intellectual Property Organization that will make a decision on the Treaty in June. For the past few years there has been a EU Council working group on this issue that has brought together representatives from the 27 EU member states. Unfortunately, these meetings are secretive and there is no way of knowing what is the position of each government.  This lack of democratic transparency prevents any accountability for the EU opposition to the Treaty and permits the cynical contradictory spectacle of the European Commission fighting against the Treaty behind closed doors while most European politicians publicly support it! While copyright fundamentalists rule the back rooms of Brussels power brokers,  no ones seems to want to openly assume the responsibility of slamming the door in the face of millions of visually impaired persons around the world.

According to some sources, France is leading the hard-line position against the Treaty.  Last Monday the French Minister of Culture Mitterrand was handed a letter in favor of a legally binding Treaty at WIPO that was signed by French MEPs from all the major political parties, including Sarkozy´s UMP.

It should be obvious to all that fair copyright laws must be built upon social credibility and legitimacy.  If present copyright laws prevent millions of disadvantaged citizens around the world from gaining and sharing access to culture and knowledge, new international norms are needed.  Our political institutions must be sensitive and responsive to this growing demand.

 

 internet tanques ACTA

 

"La postura del mundo clásico del copyright

es más una lastimosa resistencia ludita

que un compromiso ilustrado."

 

Francis Gurry,

Director General de la Organización Mundial de la Propiedad Intelectual

 

 

Unas eficaces leyes de derechos de autor exigen una alta credibilidad social y una amplia aceptación pública, lo que no es el caso hoy en día. El hecho de que un gran número de ciudadanos de la UE "violen" el copyright en sus prácticas cotidianas con respecto a la música, el cine, el software, la fotografía y la literatura, no quiere dicer que tenemos millones de "malos ciudadanos". Contrariamente, esta situación anómala nos informa sobre las disfunciones de unos mercados no competitivos, de una rígida e injusta gestión colectiva de derechos de autor, de unos modelos de negocio anacrónicos y unas estructuras de precios hinchadas y poco realistas.

 

Contrariamente a lo que quisieran admitir algunos políticos fuertemente seducidos por los lobbys industriales y por las sociedades de autores, una fuerte protección del copyright no emana por arte de magia de unas sanciones y medidas penales cada vez más estrictas, sino que sólo puede ser construida a partir de unas leyes justas y equilibradas que son fruto de un amplio pacto social. Si se aprueban unas leyes sin la comprensión ni el apoyo de gran parte de la ciudadanía, su aprobación puede ser una victoria pírrica por no plasmarse nunca en las prácticas sociales cotidianas.

 

El principal reto para la financiación de la cultura, los medios de comunicación y la innovación es el fortalecimiento de nuevos modelos de negocio viables que pueden prosperar en el entorno digital mediante la creación de redes flexibles que son capaces de capturar la imaginación y creatividad individual y social. Por el contrario, estaríamos totalmente equivocados al orientar la atención principal legislativa y social hacia la "piratería" ya que sería desviar un tiempo precioso de la importante tarea de sacar todo el mejor potencial del entorno digital. Aún peor error sería intentar trasladar las mismas normas legales del mundo físico al flujo de datos por el ámbito digital.

 

Recientes estudios internacionales han demostrado que las nuevas medidas civiles y penales en defensa de derechos de autor no han sido eficaces en la reducción de la incidencia social de la piratería digital. Este es especialmente el caso en el Sur, donde los acuerdos de libre comercio con la UE suelen exigir duras medidas “anti-piratería” a pesar de hecho de que la gran mayoría de los habitantes del Sur no pueden permitirse el lujo de comprar los caros productos culturales de las multinacionales del Norte. En todo caso, las personas se esfuerzan e idean estrategias para acceder a la cultura y el conocimiento por cualquier medio posible; en gran parte del mundo la "piratería" en no una opción, sino una necesidad sin alternativas.

 

"La piratería" no ha reducido el gasto cultural en la UE según lo revelado por estudios recientes. La cantidad de dinero gastado por los consumidores en la UE sobre los bienes culturales, conciertos y el cine se ha mantenido o, incluso, se ha incrementado en los últimos años. Si bien ha habido una disminución de los gastos en los CDs, esto ha sido compensado por un aumento de otras formas de consumo cultural que incluye cine, teatro, conciertos y otros eventos. Así, los gastos culturales de los europeos se ha trasladado simplemente de un "consumo físico" de los productos culturales hacia unas "experiencias culturales" ya sea en vivo o en formato digital. 

Las redes sociales e Internet en general, se han convertido en la ruta clave para llegar a una audiencia para los nuevos grupos musicales y otros creadores. Hace años, muchos músicos iban en giras de conciertos con el fin de vender CDs, mientras que ahora suelen producir Cds con el objetivo de buscar compromisos para conciertos. En muchos casos, las actuaciones en vivo y las crecientes ventas digitales están comenzando a sustituir los ingresos de las regalías distribuidas por sociedades de autores.

 

Para muchos nuevos músicos la única cosa peor que la piratería digital es que su música no sea pirateada en absoluto y no se escuche, lo que significa que su música seguiría siendo desconocida y sin posibilidades de llegar a un amplio público. La cuestión no es si se copiará o no se copiará, sino de cómo aprovechar de la copia para crear nuevos modos de conseguir unos ingresos razonables para los creadores.

 

La misma industria y las sociedades de autores que empujan la agenda de nuevas leyes represivas de copyright están erigiendo unas barreras en contra de los nuevos modelos de negocio. Apoyan unas rígidas leyes de exclusividad nacionales que impiden la necesaria economía de escala para unos precios competitivos y siguen imponiendo un sistema con fuerte poder de los intermediarios que daña los intereses económicos de los consumidores y de los creadores. Desafortunadamente, la mayoría de las sociedades de gestión colectiva del copyright y la industria de entretenimiento se oponen a las medidas que pudieran crear un mercado digital en toda la UE y el fin al monopolio rígido nacionales en la concesión de licencias y la gestión de derechos de autor.

 

Para la mayoría de los funcionarios de la Comisión Europea, los "afectados" solo son la industria. La mayoría de los oficiales y políticos de la UE sólo escuchan a las empresas de música y de sociedades de gestión colectiva pero hacen caso omiso de los consumidores que quieren un precio razonable y una mayor facilidad de acceso al mercado y los productos culturales de calidad. A menudo, el proceso de elaboración de las políticas comunitarias en materia de propiedad intelectual en la Comisión Europea ha sido secuestrado por unos lobbys que solo representan a los principales productores de contenidos culturales. Por el contrario, los intereses de los ciudadanos consumidores, activistas de derechos digitales y ONGs globales, se escuchan pero rara vez se toman en cuenta en la formulación de importantes propuestas sobre el derecho de autor.

 

Cuando las personas pueden comprar on-line a precios muy competitivos, muchas lo prefieren. El valor añadido de calidad, información adicional y la legalidad son importantes para muchos consumidores europeos. La elección ante nosotros es entre un modelo con una “piratería” masiva, unos precios artificialmente altos y la gran intervención de intermediarios, o bien otro modelo con un nivel moderado de piratería junto a unos precios más bajos, una relación más directa entre los creadores y los consumidores, y con menos ganancias para los intermediarios.

 

Además, debe ser democráticamente cuestionable el legislar leyes contra la piratería para su exportación al resto del mundo, sobretodo si no son compatibles con las garantías procesales jurídicas y otros derechos fundamentales de la ciudadanía. Se ha observado en muchos países que es imposible el hacer cumplir draconianas normas de derecho de autor sin poner en entredicho los derechos civiles y la privacidad. Esta es una situación “perder-perder”: por un lado la represión legal no funciona significativamente en contra de la descarga ilegal, mientras que, al mismo tiempo, estas normas acaban vulnerando a la privacidad, la protección de datos personales y el funcionamiento normal de las garantías judiciales sobre derechos básicos.

 

Un ejemplo de las salidas que ofrece internet es el del proveedor de música a bajo-coste Spotify. Otras posibles formas diferentes de financiación de la cultura son las contribuciones creativas, las tarifas planas, la microfinanciación, las cooperativas digitales y la publicidad, entre muchos otros. No exite una única solución mágica, ni una solución única para todos. Sólo una combinación de la flexibilidad, la reforma del derecho de autor y planes innovadores de marketing  pueden compatibilizar la libertad digital con la mejora económica.

 internet mujer grita

Algunas de las acciones institucionales necesarias son las siguientes:

 

* Cambiar las normas de la UE de gestión colectiva para facilitar la concesión de licencias en toda la UE, el fin de la exclusividad de las sociedades de gestión colectiva y, en general, avanzar hacia una mayor flexibilidad para promover precios más bajos y una relación más directa consumidor-creador.

 

* Introducir mecanismos flexibles de "fair use" en la UE como ya existe en EE.UU para poder promover el acceso a la cultura , nuevos modelos de negocio y de crear un entorno de derechos de autor más justo, sensato, equilibrado y creíble.

 

* Maximizar el uso de las excepciones y limitaciones a los derechos de autor con el objetivo de fomentar un ambiente de amplia competencia entre competidores legalmente autorizado. Aprobar el Tratado de la OMPI de excepción al copyright para las personas con una discapacidad visual.

 

* La aplicación estricta y cumplimiento de las normas legales sobre competencia sobre las posiciones de dominio de mercado de las empresas de explotación de contenido, la lucha contra la fijación de precios y la imposición términos de licencia en condiciones comerciales irrazonables y en condiciones injustas para los artistas. 

 

* Aprobar un marco comunitario europeo para facilitar el acceso a millones de “obras huérfanas” para investigación, nuevos modelos de negocio y el uso social.

 

 

David Hammerstein, TACD

 

Getting beyond the futile, damaging “war on digital piracy” and the “enforcement agenda”

  copyright.jpg

“Classic copyright world´s stance is more one of sorry luddite resistance than enlightened engagement.”
Francis Gurry, Director General of World Intellectual Property Organization

Effective copyright laws need social credibility and broad public acceptance; this is not the case today.  The fact that a large proportion of EU citizens “violate” copyright law in their daily practices with regards to music, film, software, photography and literature does not tell us that we have millions of “bad citizens”. Instead, this predicament  informs us upon the shortcomings of noncompetitive markets, rigid models of collective management of copyright, archaic business models and unrealistic pricing structures.

Contrary to what some heavily-lobbied politicians might believe, strong copyright protection does not magically emanate from an “enforcement agenda” of ever-stricter penalties and criminal measures but instead can only be built from fair, balanced and socially understood laws and practices.

The principal challenge for the sustainable financing of culture, media and innovation is the establishment of viable business models that can thrive in the digital environment by creating flexible, shared networks that capture both individual and social imagination. To continue focussing legislative and social attention on “piracy” is to divert precious time and energy away from the important task of harnessing the full potential of the digital environment.

Recent international studies have shown that new copyright enforcement measures and laws have not been effective in lowering the general incidence of digital piracy.  This is specially the case in the Global South where EU free trade agreements often aim at extending the European “enforcement agenda” to the rest of the world despite the fact that most citizens of the developing world cannot nearly afford over-priced cultural products dominated by a few Western companies. People strive to access culture and knowledge by any means possible; in much of the world “piracy” in not a choice but a necessity.

“Piracy” has not reduced cultural spending in the EU as revealed by recent studies. The amount of money spent by consumers  in the EU on cultural goods, concerts and cinema has either maintained or increased in recent years. While there has been a decrease in expenditures on CDs, this has been compensated by an increase of other forms of cultural consumption including cinema, theatre, concerts and other events.  Cultural expenditure has simply shifted from “physical consumption” to mainly “cultural experiences” either live or digital.

Social networks and Internet in general have become the key path for reaching an audience for emerging musical groups and other creators. Years ago many musicians  went on concert tours in order to sell CDs while now they make a CDs to get concert engagements. In many cases live performances and growing on-line sales are starting to substitute income from royalties distributed by collecting societies.

For most new musicians the one thing worse than digital piracy is not being pirated at all, which means their music would remain known and without future possibilities. The question is not whether copying will exist or not but instead of how to take advantage of copying to create new, reasonable forms of income for creators.

The same industry and collecting groups pushing repressive copyright enforcement laws are holding up the barriers to new sustainable business models through rigid national laws that prevent economy of scale and continue imposing a system with strong intermediary power that damages the economic interests of both consumers and creators. Unfortunately, most collecting societies and industry oppose measures that will create a EU wide digital market, the end of exclusivity and the end to rigid national monopoly for licensing and copyright.

For most EU authorities the “stakeholders” are industry. Many EU politicians only listen to music companies and collecting societies and totally ignore consumers who want reasonably priced easily accessible quality cultural products. Often the EU policy making process on intellectual property at the European Commission has been captured by a concentrated group of interests representing major content producers. In contrast,  the interests of consumers, digital rights activists and global social justice NGOs are only listened to but rarely taken into account in important European Commission policy proposals on copyright.

When people are able to buy on-line at very competitive prices, people do.  The added value of quality, extra information and legality are important to many European consumers. Our choice is between one with massive piracy, higher prices and great intervention of intermediaries or a moderate level of piracy with lower prices, more direct relationship of creators and consumers with lower intermediary profits.

It is democratically questionable to legislate anti-piracy laws, and to export to them to the rest of the world,  if they are not compatible with legal due process and other fundamental rights. In many cases it has been observed that it is impossible to enforce draconian new copyright rules without threatening civil rights and privacy. This is a  lose-lose situation: the laws do not significantly slow illegal downloading while they do affect privacy, data protection and the normal workings of judicial guarantees.

Low cost music suppliers like Spotify and others offer one of many business models facilitated by Internet. Other possible different forms of financing culture are creative contributions, flat-rates, micro-financing, digital cooperatives and  advertisement, among many others. There is no magic solution, no one size fits all. Only a combination of flexibilities, copyright reform and innovative marketing schemes can harmonize digital freedom and economic sustainability.

 

Some of the institutional actions needed are the following:

 

* Change EU collective management norms to facilitate EU wide licensing, the end of exclusivity of collecting societies and, in general, greater flexibilities to promote lower prices and more direct relationship creator-consumer.


* Introduce flexible “fair-use” mechanisms in EU to promote new business models and to create a more balanced and credible copyright environment.


* Maximize the use of copyright limitations and flexibilities toward the goal of fostering an environment of broad competition between legally authorized (e.g. licensed on reasonable terms) competitors; Approve the WIPO Treaty for the Visually Impaired.


* Exercise to the fullest competition law restrictions on the market power of content-holding firms, against price fixing in the digital spree and with strong duties to license on reasonable commercial terms and against licensing terms that restrict competition, cross-border commerce and unreasonable terms for artists.

 


* Approve an EU framework to permit easy access to millions of orphan works for research, new business models and social use.


David Hammerstein, TACD

“The creation of a civilized internet” is what French President Nicolás Sarkozy proposed a few days ago for the agenda of the upcoming G-8 meeting. President Obama has also agreed to give priority to the issue of “taming the web” at the meeting of the most powerful countries. There seems to be a certain coincidence of interests in favor of varying degrees of repressive digital measures from a broad coalition formed by intellectual property hardliners, rabid wikileaks critics and a number of big brother authoritarian governments like those of Egypt or China.

Along the same lines, Pedro Velasco Martín, in representation of the
European Commission opened Tuesday´s stakeholders meeting in Brussels
on ACTA (Anti-Counterfeiting Trade Agreement) with a revealing and
loaded question: “Should the Internet be a haven for lawlessness or
should it be treated equally to the physical world?”
 

 

It seems rather shocking that one of the people who has been in charge of the
EU’s negotiating positions for the last three years on ACTA would
express such a lack of appreciation of the unique democratic, social and cultural
roles performed by the digital environment that are very distinct from
the workings of “the physical world”.

 

Before considering the content of the proposed treaty Mr. Velasco spoke of the timetable for its ratification. The ACTA agreement that has been hammered out by 37 countries (27 of which wererepresented by the European Commission and the EU Council) will be soon
officially adopted officially by the EU Council of Ministers and then
submitted to the European Parliament for its “assent” (a yes or no
vote). What is not clear, due to inconclusive legal interpretations by the Commission, is
whether ACTA must be approved by each of the 27 national parliaments of
EU member states. If member state parliament approval is required the
ratification process could last up to two years. If not, the fate of
ACTA could probably be decided within the next five or six months.

 

Also on an important procedural level, Mr. Velasco was asked why the European Commission “initialized” their approval of ACTA last November without first informing the European Parliament of this important decision as stipulated by the Lisbon Treaty.  After trying to dodge the question by mentioning the mere presence of Commissioner De Gucht in Strasbourg, he had to admit that he could not answer this without first consulting his legal services.
He would also not comment concerning the court case that has been brought before the European Court of Justice against the EC for its application of the “McCoy agreement” on the confidentiality of “maintaining the confidentiality of documents”. Curiously, McCoy is the US Trade Representative.  The EC is accused of not fulfilling the EU legal requirements of transparency and parliamentary information. Throughout the negotiation process the EC negotiators insisted that they had to be “loyal” to their US partners with regards to transparency. Apparently they might have been more loyal to Mr. McCoy that they were to EU law and to European Citizens.

 

Mr. Velasco’s double-speak became especially strong when he affirmed that while
ACTA did not change any “existing Community Acqui”,  EU member
states would be forced to change their laws to conform with the new treaty.
While ACTA does not harmonize criminal penalties in Intellectual Property enforcement on an
EU level, it could have an impact on the laws of 27 EU countries, one of
which he said was already in the process of changing its legislation. In
other words, the EC accepts that ACTA is a classic exercise in legislation
laundering in order to enact tough IP enforcement measures through the back door of an international negotiation. In this way a tough political debate on IP in the open arena is avoided and substituted by the opaque maneuverings and back-room horsetrading of EU member-state leaders who deeply fear the broad defense of fundamental rights in the digital sphere supported the majority of European public opinion. Needless to say, the ACTA “country club approach” that limits public debate much preferred by the lobbyists, like the US Chamber of Commerce, that are behind ACTA.

 

When asked about the binding nature of ACTA in the EU and the fact that it is not considered a binding agreement by the US, and is not even called a “Treaty”, he responded that it is not the EU´s problem if the US considers the ACTA treaty differently and the EU ignores the issue of  whether ACTA contradicts US law or not.  When Velasco was pressed on the issue of US official insistence that ACTA will not change a number of US laws that conflict with ACTA or with a recent US Supreme Court ruling on limits to IP damages and penalties that indirectly declares ACTA-like rules “unconstitutional”,  he showed a great deal of uneasiness and evasiveness. According to a number of reliable sources an official but confidential Library of Congress study commissioned by the US Senate has apparently certified that ACTA clearly goes beyond US law in a number of instances. At the same time, contrary to the intentions of the European Commission in Europe, the Obama Administration has no intention of enforcing the articles of ACTA on US territory and exclusively views ACTA as a “strong benchmark” to be imposed upon trading partners in Asia, Africa and Latin America by means of future free trade agreements.  The EC representative did not respond to the question of whether this “practice what I preach, not what I do”,  free-rider attitude by the US, along with its “fair use” norm, could give the EU´s main negotiating partner a competitive advantage of the EU in developing emerging business models.

 

Mr. Velasco was also asked about the ambiguous and potentially all-encompassing definition of “commercial scale” that in the ACTA text refers to any “direct or indirect economic gain” that can be applied to individual file-sharing with no commercial objectives.  He admitted that this definition of commercial scale contradicted the much narrower one approved by the European Parliament but dismissed the opinion of European democratic representatives with the argument that it was never enshrined into any existing legislation.

 

The EC also denied that the damages, injunctions or other remedies sections of ACTA would have any impact on the future access to orphan works in the EU by placing future legislation in a straightjacket. He repeatedly confused orphan works with “exceptions to copyright” that he stated the EC respected.  When asked about a possible future legal enshrinement of “fair use” of copyrighted works in the EU and how ACTA could inhibit this, he insisted that “fair use” was a non-European concept and practice that was not relevant for the EU. When queried a number of times about ACTA  possibly slowing the growth of new digital business models that need flexible rules as well as restricting the access to knowledge, he proclaimed that “history will show who was right.”

 

The EC representative admitted that ACTA is only one link in a much longer chain of EU new legislation related to IP enforcement with the same logic that will be presented in the coming months by the EC.  He was probably referring to new proposals on criminal measures (IPRED),  collective management of copyright, orphan works and data protection, among others.

 

Velasco emphatically and repeatedly challenged the stakeholders present to present “one concrete case of how ACTA violates fundamental rights”. He insisted that IP enforcement measures “have nothing to do with fundamental rights”. When questioned about the EU´s Data Protection Supervisor´s scathing critique of ACTA with regards to privacy, he dismissed his complaints by saying the EC had responded to the Supervisor in a letter.  He affirmed that no one should worry about the violation of fundamental rights by ACTA because the text reaffirms its adherence to international human rights safeguards and guarantees. In consequence, no fundamental rights impact evaluation is necessary as has been requested by Commissioner Vivienne Redding.

 

The EC representative refused to answer why the EU was seeking binding IP enforcement measures but at the same time adamantly rejected the internationally recognized  fundamental “right to read” of the visually-impaired and print-disabled as demanded by the European Blind Union and the majority of non-EU countries in their proposal of a legally binding Treaty at WIPO in favor of an exception and limitation of copyright for millions of blind persons worldwide. Here there seems to be much more sensitivity shown by the European Commission to the requests of Hollywood (as revealed by Wikileaks) than a clear compliance by the EU with the UN Convention for the Rights of Disabled Persons.

 

Concerning third-party liability he said that internet service providers´ liability is no more in ACTA than in existing EU lawand that intermediaries already have to show more responsibility.

 

In order to justify bypassing the relevant UN institutions with ACTA and its new institutional instruments,  Mr. Velasco repeated the now classical and tiresome whining about the lack of cooperation and inoperancy of the World Trade Organization and the World Intellectual Property Organization: “We can´t even get our IP enforcement proposals on the agendas of the WTO and WIPO. They refuse to consider  new measures for the enforcement of existing international law.”

 

What a terrible burden European Commission officials like Pedro Velasco must bear in their historic crusade to “civilize” the internet!  Especially when the natives are restless in the wild digital jungle!


Running away from Stevie Wonder in Geneva

 

libro ratas

 

   Stevie Wonder spoke and sang before the World Intellectual Property Organization (WIPO) General Assembly this week in Geneva in favour of ending the "book famine" for the visually impaired.  He passionately challenged the international community to take action to guarantee right to read for millions of print disabled around the world.  Many of us were moved by his words and music but others remained indifferent, especially some European countries like France.  In fact, when Spain and other EU members proposed to issue a statement saying that the EU "accepts the challenge posed by Stevie Wonder" to increase the access to reading material for blind persons, the French representatives flatly refused to accept any mention of Stevie Wonder due to their copyright fundamentalism.

   For Sarkozy´s France it seems that no flexibility or exceptions are possible. In their all out war in defense of copyright "no prisoners will be taken".  France and other countries like Germany insisted that there shouldn´t be any shadow of doubt concerning the total rejection by the European Union of the World Blind Union´s proposal for a Treaty for the Visually Impaired and Print Disabled that has been sponsored by Brazil, Ecuador, Paraguay and Mexico. It is quite surprising that countries like France that have clear legal exceptions to copyright for the visaully impaired inside their countries do not wish to extend this norm to the rest of the world so that formatted works could flow to the millions print-disabled of the South.

    At the same time EU countries and the US were dragging their feet on confronting the "Book Famine" of the print-disabled in Geneva,  their chief negotiators were hard at work in secret talks "16 hours a day" in Tokyo,  hammering out the last details of the ACTA agreement that proposes very strict and repressive enforcement measures of copyright and patents. In contrast, It seems that when it comes to helping one of the most disadvantaged groups in the world, the visually impaired, there is no sense of urgency and no need to take legally binding measures.  On IP issues the EU and the US practice a "carrot and stick" diplomacy with lots of big sticks "to fight piracy" and very few small carrots for the access to culture, education and technology transfer.  In our view they are eroding the credibility of international IP governance by exclusively focussing on protecting the accumulated rights and vested interests of a few Northern business models while giving a cold shoulder to new innovative industries,  consumers, internet users and citizens of the global South.

 Instead of the legally binding treaty brilliantly and passionately defended by Latin American diplomats, the EU prefers voluntary "stakeholder" agreements that depend on the "good will" and "self-regulation" of publishers and rights-holders in order solve the copyright barriers suffered by the visually impaired. (In contrast, this week the EU and the US supported legal treaties at WIPO for broadcasters and audio-visual performers).  Both the EU and the US feel it would be "a dangerous precedent" to open the gate to legal limitations and exceptions to copyright, even if it is for blind persons´ non-profit organizations. They are sure that if this proposal goes forward, other legal exceptions will be proposed by Africa for libraries, archives and textbooks in what they call "the slippery slope" toward the weakening of international copyright law. On the contrary,  supporters of flexibilities of copyright believe that fair exceptions could improve the general credibility and social acceptance of copyright governance.

  "I just called to say I want to read" might be the title of Stevie Wonder´s next song. Wonder told WIPO that if they do not act he would be forced to write a song "about what they didn´t do".

 The fight for the "right to read" is gaining momentum and getting stronger around the world.  By the time the issue is considered at WIPO in November at the Standing Committee on Copyright and Related Rights (SCCR) there are some signs that real progress will be made  to set a road-map for a fairer copyright system that places the plight of millions of people before the supposed business interests of a few. We just all need to push a little harder.

David Hammerstein, TransAtlantic Consumer Dialogue

LA PROPIEDAD INTELECTUALAL SERVICIO DE LA CONTAMINACIÓN

Y CONTRA LOS DERECHOS HUMANOS

 

bansky-acta.jpg

 

Ahora resulta que mediante la "policía del copyright" y con la ayuda de Microsoft se puede perseguir a los ecologistas. Utilizando la excusa de los derechos de autor del programa Microsoft Windows, los abogados de Bill Gates cooperan en la detención de los defensores del medio ambiente en Rusia y se convierten así en cómplices de la represión de los derechos humanos en un país que los pisotea. Esto constituye todo un ensayo práctico de un nuevo escenario de futuro donde se cumplen las peores pesadillas contra los derechos fundamentales y las luchas sociales mediante la aplicación global de los acuerdos de ACTA. Y todo con el nuevo "armamento" de los derechos privados de propiedad intelectual que en ACTA abogan por una estrecha colaboración entre la justicia, la policía y los grandes poseedores de derechos de propiedad intelectual como es Microsoft.

El Lago Baikal es el lago con más volumen de agua dulce en el mundo y según algunas estimaciones contiene el 20% de agua dulce del mundo.  Desde los años sesenta existe junto al lago una industria papelera muy contaminante con unos impactos muy dañinos sobre este ecosistema tan singular y valioso, con más de 1600 espécies de flora y fauna endémicos. El movimiento ecologista ruso lleva más de 20 años luchando en contra de los vertidos de la fábrica papelera que destruye la vida en el lago Baikal. Sin embargo, hace unos meses el Presidente Putin avaló la re-apertura de la industria contaminante a pesar de las protestas del grupo ecologista Baikal Wave (Ola del Baikal).

A finales de enero de 2010 un grupo de policías vestidos de paisanos penetraron en la sede de la asociación ecologista en Irkutsk y se llevaron todos los ordenadores que contenían los ficheros que documentaban toda una generación de esfuerzos para proteger la naturaleza en Siberia. El pretexto utilizado era una denuncia por parte de la empresa Microsoft sobre los ecologistas porque utilizaban programas de software suyos sin licencia. Cada vez se hace más frecuente este tipo de acciones policiales "anti-piratería" dirigidas en contra de organizaciones ciudadanas con las excusa de una supuesta defensa de la propiedad intelectual. Huelga decir que solo se llevan a cabo en contra de los grupos que son críticos con el gobierno ruso.

 

ACTA-poli-angel-bansky.jpg

 

Con este botón de muestra no resulta demasiado difícil el imaginar el peligro que supone la arbitraria aplicación de las leyes de la propiedad intelectual para los derechos humanos y las libertades ciudadanas básicas. En países como España ya lo vemos constantemente con las actuaciones nefastas de la SGAE, pero en países tan autoritarios y carentes de libertades ciudadanas de expresión como son Rusia o China, la "protección de los derechos de autor" tiene unas funciones policiales que alimentan daños colaterales añadidos al minar los derechos democráticos más fundamentales. Con la próxima aprobación de una serie de nuevas medidas draconianas en el acuerdo internacional de ACTA (Acuerdo de Comercio Anti-falsificación) se podría avanzar aún más en la represión de los derechos civiles. ACTA y los numerosos acuerdos de libre comercio, que incorporan duros capítulos de propiedad intelectual, no presagian nada bueno para el ejercicio de todo tipo de derechos ecológicos y sociales.


En este caso del Lago Baikal, la letal combinación del gigante empresarial Microsoft y un gobierno autoritario desarma y quita la palabra a los defensores del medio ambiente. Si no lo evitamos, el fundamentalismo del copyright arrasará con toda libertad y pensamiento creativo como ya se intenta con el agua dulce del Lago Baikal y las comunidades de seres vivos que lo habitan. 

DAVID HAMMERSTEIN

TransAtlantic Consumer Dialogue

La mayoría de los eurodiputad@s han respaldado una declaración que critica con el acuerdo de ACTA por vulnerar los derechos fundamentales, atentar contra la privacidad y amenazar la innovación. Esta declaración manda un fuerte mensaje ciudadano a los negociadores de la Comisión Europea y avisa que la obligada aprobación de ACTA por el Parlamento Europeo no será nada fácil de conseguir.

Enhorabuena a todos y a todas que han participado en la campaña.

DECLARACIÓN POR ESCRITO

presentada de conformidad con el artículo 123 del Reglamento

sobre la falta de un proceso transparente y un contenido potencialmente reprensible en relación con el Acuerdo Comercial de Lucha contra la Falsificación (ACTA)

Françoise Castex, Zuzana Roithová, Alexander Alvaro, Stavros Lambrinidis

Fecha en que caducará: 9.09.2010


Declaración por escrito sobre la falta de un proceso transparente y un contenido potencialmente reprensible en relación con el Acuerdo Comercial de Lucha contra la Falsificación (ACTA)

El Parlamento Europeo,

– Visto el artículo 123 de su Reglamento,

A. Considerando las negociaciones en curso sobre el Acuerdo Comercial de Lucha contra la Falsificación (ACTA),
B. Considerando la función de codecisión del Parlamento Europeo en cuestiones comerciales y su acceso a los documentos de negociación, consagrados en el Tratado de Lisboa,
1. Considera que el acuerdo propuesto no debería imponer indirectamente la armonización de los derechos de autor, las patentes o las marcas comerciales de la UE, y que debería respetarse el principio de subsidiariedad;
2. Declara que la Comisión debería hacer públicos inmediatamente todos los documentos relacionados con las negociaciones en curso;
3. Opina que el acuerdo propuesto no debería imponer restricciones a las garantías procesales debidas ni debilitar derechos fundamentales como la libertad de expresión o el derecho a la intimidad;
4. Destaca que la evaluación de los riesgos económicos y de innovación debe realizarse con anterioridad a la introducción de sanciones penales en ámbitos donde ya existan medidas civiles;
5. Considera que no debe recaer sobre los proveedores de servicios de Internet la responsabilidad por los datos que transmiten o recogen a través de sus servicios hasta tal punto que ello implique un control previo o el filtrado de tales datos;
6. Señala que cualquier medida destinada a reforzar las competencias en materia de controles transfronterizos e incautación de mercancías no debería afectar al acceso mundial a medicamentos lícitos, asequibles y seguros;
7. Encarga a su Presidente que transmita la presente Declaración, acompañada del nombre de los firmantes, al Consejo y a los Parlamentos de los Estados miembros.

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